Daily Archives: May 24, 2010

Randy Ford Author- GOOD PEOPLE 3rd Novel 35th Installment

      Our dad never brought his job home.  He never talked about the nature of it, and I never understood how a clerk could be blamed for so much.  I’m sure there were many people who were more reprehensible than obscure civil servants such as my father.  If the times weren’t so calamitous and cataclysmic….  I’m not sure I want to go there.  I’m not sure I can.

      There was a large group of people who were treated the same as enemies, and may have been traitors, people other than thieves, highway robbers, child molesters, and forgers.  At any rate there were serious doubts about their loyalty, and obscure clerks like my father were given control over their destiny. Of course, in normal times I wouldn’t condone such behavior, but remember this was a very dark time in our history.

      I’m sure my father’s job was an important one.  I don’t think anyone accused him of abusing his power.  This much I do know: he went from punishing drunks by dunking them head first in the Danube to overseeing the preparations for the hanging of convicted malingerers.  Sometimes he spoke of banishing all Serbians, while other times he incarcerated suspected traitors.  But he was never a Nazi, and more than anything else, of all the things that need to be taken into account, remember the times were abnormal and the whole city was in a state of flux.

      The ride to the hounds went on throughout the decade, a decade when huge crowds flocked to see people hanged.  It wasn’t long before pictures of the hangings circulated throughout the city and the death of a dissident was treated as a laughing matter.  During this time trial dockets were always full and officials such as Papa were applauded because of their quick work.   Still leisured and official Vienna continued to parade undeterred through the fashionable streets of the city, for nothing was to be gained from objecting to the brutality.

      But still having to face policemen with sticks or army officers with riding crops had a chilling affect.

      While geniality concealed horrific wrongs nothing was heard of betrayal.  In short everyone shared the guilt and a whole generation has had to come to terms with it.  Because of this climate some people were already talking about leaving and going to the Americas.  Others anticipated deportation.

      A proud man my father was, and I understand he carried out his duties in a rigid, precise, and even pedantic manner.  I heard my mother talk about it.  I saw how he often wore his field-gray uniform to work.  After a while his physical appearance bore the mark of his occupation.  Though the crooks to which he owed his position thought that they had him in their pockets, had he really sold his soul to them?  Yes, unfortunately, his handlers knew they had his unimpeachable loyalty.  However according to my mother they were dishonest especially when they wanted something from him.  From what I gather my dad was a full-fledged member of the bureaucracy and gave into those pressures.  He was often called upon to demonstrate his loyalty.   Knowing him he seized every opportunity to distinguish himself, and I’m sure many people around his office viewed him as a true prince.

      Since the war I’ve learned that he was empowered to review and sign death warrants.  Because of this he was stung.  Unable to control his outrage he identified himself to authorities.  He demanded proof.  They had the wrong man, he claimed.  Soon he realized that exposing himself in that manner was a horrible mistake.  With a stock of political homilies he searched for the right words, because words such as duty and honor seemed empty.  He said that for the first time in his life he had brutality thrown back at him.  He was used to being perfunctory, but never at a lost for words.

      I’ve read testimony that he’d stare at an inmate and sneer, blaming the condemned man for not saving himself.  Other times he’d shout with anger.  I can imagine that because I’ve seen it.  Imagine the glares, the indignation, and the defiance of the condemned.  They perhaps never knew that my father was merely a clerk.  “Why, then, Herr Supervisor, lieutenant, zoo keeper, or whoever you are!  Where are the peanuts?  Peanuts!  Peanuts! Peanuts for the apes!”  While the parade went on, we danced to Strauss.

      Why didn’t they show the petty clerk more respect?  Hadn’t he sent many deserters and vagabonds to prison, or even to their deaths?  Though in reality none of them knew who he was or what he could do from his distant desk.  None of them knew his signature.

      No doubt mistakes were made and the wrong person ended up with a noose around his or her neck.  But that happened all over the world.  I don’t intend here to participate in a tirade about the mistakes that were made by Austrians during the last war.

      My father may have wanted to resign, but he knew he couldn’t.  It was an imperfect system.  We could easily pick apart an imperfect system and rightly proclaim it wasn’t the individual’s fault.  But what if the system were insane, even though its servants were not?  I understand Judge Jessner entirely sympathized with his clerks.  On the other hand, when necessary the judge also was extremely ruthless.  Meanwhile my father tried to forget the past, and I don’t think he saw what was coming.

      My mother worked with the displaced, people who brought with them an array of social ills.  She never took us down to the soup kitchen on Liniengasse where she worked.  A vast and growing number of people then depended on soup kitchens.  Many of them slept in parks and under bridges.  Even a greater number of them lived in squalor, as landlords gouged them for everything they made.  Often crowded into basement flats and other box-like quarters, their lives were filled with distress and filth.  And then there was the problem of the lack of coal and the misery associated with freezing.

       All of this suffering left lasting impressions.  It fueled stories that were passed on from one generation to the next.  With empty disks for eyes, I suspect few of these people made the connection between their vacant expressions and their abysmal existence.

      As I’ve said before, never was Vienna more dedicated to pretending.   With the failure of the war, people felt demoralized and confused; but the music of Strauss gave everyone such a lift that (if only for a few minutes) they were able close their eyes and overlook their plight.   With music everything seemed brighter than it was.   While clinging to the tattered shreds of what they had before people in every corner of the city looked for encouragement in music.

      Eva Marie considered herself very lucky to have a job as our nanny.   A peasant girl who came from good stock she achieved her enviable position by winning the trust of my parents.   This young lady, a devout Jew, was suppose to teach Niki and me Christian values.

      Eva made her appearance when her influence on us would’ve been the greatest.   Niki and I preferred going to her to going to either one of our parents.   And as a substitute Eva appeared when we missed and needed our mother the most.   Largely absent our mother rarely showed us any affection.   Often she was stern and strict, which earned our obedience.   While we were in awe of her, we feared our father and learned to expect chastisement from him.

      Take the painstaking way with which I flaunted the rules of social conduct.   This came from rebellion.  My father’s tyranny made chastisement seem normal; so normal in fact that when my time came I treated my daughter in the same way.   For as long as I lived at home, I respected my father, even though he was hard to live with.

      Randy Ford

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Croatian Drama- Zagreb Youth Threatre will Appear at Two International Theatre Festivals

      ZKMZagreb Youth Theatre will have guest appearances at two international theatre festivals during May and June. ZeKaeM will perform Generation 91-95 on 13th and 14th of May at the Wiener Festwochen in Vienna.  Afterwards, the Zagreb Pentagram will be performed at the New Plays from Europe Festival in Wiesbaden (Germany).

      Generacija 91-95 – Generation 91-95
      Drama / Zagreb / Premiere IN THE GERMAN-SPEAKING REGION
Based on Boris Dežulović’s novel Who Gives a Damn About 1,000 Dinars Now (Jebo sad hiljadu dinara)

      Two groups of uniformed youngsters sit facing each other.   Either heavily armed party observes the other suspiciously, yet the only difference between the two groups is a different flag on their uniform sleeves.   One group is composed of members of a Croatian special unit, while the others belong to a Bosnian special unit.   The two platoons have met by chance in a no man’s land sometime during the war.   Since both groups are wearing the other army’s uniforms as a stratagem to confuse the enemy, the outcome is first irritation and later fraternisation.   The end result, though, is mutual annihilation.

      Director Borut Separovic’s staging of Boris Dezulovic’s satirical novel Who Gives a Damn About 1,000 Dinars Now with an ensemble composed of Zagreb youngsters aged 15 to 19 employs a very precise choreography that does not shy away from pathos.   In this fictitious story that yet is anchored in a very real historical context, the war is staged by a generation that, being born after the fact, knows it only from tales and memories.

      A one-year working process involved the youngsters not only in playacting but also in historical research.   The participants’ task lay in finding out about the acts of war that occurred precisely on their individual birthdays.   Thus the second part of the performance offers a highly personal chronology of the war years.   In Zagreb, the performance and its young, very dynamic actors are celebrated despite or perhaps because of the explosive political topicality of the production.

      Zagreb Pentagram
     Nina Mitrovic, Ivan Vidic, Filip Sovagovic, Damir Karakas, Igor Rajki
Directed by Paolo Magelli
     The omnibus Zagreb Pentagram, which links five dramatic texts of the noted writers Nina Mitrovic, Ivana Vidićc Filip Sovagovic, Damir Karakas and Igor Rajki, describes an authentic, generational view of Zagreb in transition – mostly the exciting years from 1980 until today.  The director Paolo Magelli uses the stage to pose questions that concern us and which we come across every day – questions of individual and social responsibility, the burdens of the past, and the uncertainties of the future.

      The protagonist of this unique theatrical project is the city of Zagreb, and Magelli evokes on the stage all of the temptations and conflicts of a time that has changed us.  The wartime and post-war period, the passage from one millennium to another, our ability to cope, or our inability to cope, in an atmosphere of a lost moral compass, questions of individual and social responsibility, the burdens of the past, the disjointedness of the present and the uncertainty of the future will be depicted in a performance whose genre is not easy to describe but which brings together those themes that directly relate to us and which we come across every day.
      Zagreb Pentagram, speaks in an authentic voice about this modernity, about the city in which and with which we live, about the people that we meet everyday, and finally about ourselves.

      For more information about Croatian Drama go to www.croatiandrama.wordpress.com

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