Daily Archives: May 27, 2010

Randy Ford Author- GOOD PEOPLE 3rd Novel 38th Installment

       Every evening the family assembled for dinner.  By the war (World War II) Eva ate with us.  I could see that this pleased my father, as our nanny jousted for position and power.  The struggle was inevitable.  Both she and my mother shared my father.  We didn’t bother to use please or thank you; nor did Eva call us junge Herr anymore.  She acted as if she were our mother, while the rivalry between the two women moved through a new phase of awkward co-existence.
      The dinner was hurried, and the Schnitzel was almost gone.  It was as if dinner had been accepted as a punishment, and though there was no outward expression of anger everyone sitting around the table sat in silence.
      Suddenly Papa folded his napkin and stared at Mamma.  That seemed to signify his absolute authority.  He cleared his throat.  Then when he spoke we saw Mamma react to his words without emotion.  “You’re not eating.”  Then after a pause, “You’ll wither away.”

      Mother closed her eyes.  I wondered what she was thinking.

      “Don’t worry,” said Eva, “when she gets really hungry, she’ll save herself.  She wants you to worry about her, but it doesn’t become her at all.”

      “Women!”

      “Don’t let her control you.”  Saying this, Eva started clearing the plates.  Mother glared at her, and then a faint smile brightened her gloomy face, as the word whore came from her lips.  Feeble as it was, this gesture seemed to indicate that she knew of our father’s infidelity, and as we excused ourselves, we all knew nothing would change.  We’d continue to share a home, while Niki and I matured expecting an eruption at any time.

      “Well, everyone should be happy.  Whether we like it or not, won’t we all have to go some time?  But still hopefully not tomorrow.”

      “Tomorrow you could read in the Kronen Zeitung that something happened to Frau Hertzl.”

      “Revenge, par excellence; a little revenge.”

      “A guest and a fish are no longer fresh on the third day.”

      “I’m out of here.”

      “No, Eva no. The boys and I need you.”

      “To give up now I don’t think so.”

      “The past should be forgotten.”

      “The world goes to pieces, but nobly.”

      “So my husband thinks he’s Casanova.  Faugh!  Let him sew his oats while he can!”

      “Pauline, there’s no need for you to be jealous of me.”

      “Who do you think you’re fooling?  Fritz and I came to an understanding a long time ago.  We proclaim ourselves liberated.  Try to understand.  I don’t reproach you as much as I do myself.”

      Those were the terms of a truce.  Declared again we left the table and went our separate ways: Niki and I to our room, Eva to wash the dishes, Papa to his study, and Mamma to collect herself before taking off to the shelter for the evening.  We all seemed disconcerted, while Eva seemed less so.  Mama looked as if the performance had totally exhausted her.

      The leader of the posse gathered his gang of boys around us.  Wearing tin hats, they looked as if they came from a carnival.  Jack-booted and spurred the big bully blocked the sidewalk and had a piece of asphalt in his hand.

      “Heil Hitler!”

      “Ju-da verr-rrecke! Juda ver-rrecke!” shouted his followers.

      “Sieg Heil! Sieg Heil! Sieg Heil!”

      “The Red and White and Red unto Death!” I proclaimed.

      “Run!” yelled Niki but there was no place to run or no place to hide.

      “We’re not Jews,” I retorted.

      ”Swine!  D’ you hear?  Swine!  Greasy, oily, grisly swine!”

      Beer bottles, rocks, bare knuckles flew.

      “Yid, yid, yid, yid….”

      ”No, we’re not!”

      ”Yes, you are!”

      ”Nein!”

      ”Ya!”

      “Who yelled ‘Christian, Christian, thy place is buried in a dunghill?’”

     Then I faced the bully and held my own.  Yes, I stared into his eyes and the cowboy turned into putty.  It astonishment me.  The gang of boys then dispersed, and the frenzied threats were placed on hold for another day.

     We ran home to dinner, and everyone around the table listened to how two inexperienced boys stood up to a pack of dogs.  We half expected our father to box our ears, or he might’ve felt proud of us because the Nazis weren’t yet in power.  His moods were hard to judge.

     Always in the know, Papa anticipated the Nazi Putsch and the assassination of Dollfuss.  Others were caught off guard.  Their complacency stemmed from believing government propaganda about Mussolini, our country’s powerful ally.  Surely Il Duce would keep Hitler out.  In those days Dollfuss’s song was always played after our national anthem.  “We, the young ones stand prepared to march with Dollfuss into grand new times.”

     Randy Ford

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Poets & Writers, Inc- Tucson Community Meeting about Grant Program

      Poets & Writers, Inc. meets Tucson Community to discuss it’s grant program June 10th.

      www.pw.org/funding.   If you’re able to attend the meeting, please RSVP to cklein@pw.org no later than June 1.  Poets & Writers will be holding an informational meeting about its grant program for literary events on Thursday, June 10 at 5:30 p.m. at Casa Libre en la Solana ( 228 N. 4th Avenue #2 , Tucson , AZ 85705 ).   Writers and other members of the literary/arts community are encouraged to attend.   The Readings/Workshops program offers small matching grants.   For guidelines and an application form, please visit

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Every Voice in Action- Now Accepting Applications for Young Activist Media Squad program

      Every Voice in Actions’ Summer Youth Activist Media Squad (YAMS) now accepting applications! Deadline to apply is May 27th.

      everyvoicemedia@gmail.com for an application or more information.   As part of our mission to ignite and support youth voice, infusing the community with the unique perspectives of young people, Every Voice in Action Foundation is now accepting applications for the summer Young Activist Media Squad (YAMS) program.   Six youth, ages 14-18, shall be selected to not only document their community but affect change within it.   The program runs from June 1st – July 15th, Monday through Thursday, 11-3pm. Members will receive a $750 dollar stipend. Contact

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The Rogue Theatre- AN AFTERNOON OF LONG-FORM IMPORVISATION & Itamar Moses’ THE FOUR OF US

300 East University Boulevard, Tucson, AZ, 520-551-2053, www.TheRogueTheatre.org
   
THE ROUGE THEATRE

KICK OFF THE SUMMER
at The [air-conditioned] Rogue!

Long Form Improv Title
Sunday, June 6, 2010
2:00 P.M.

We’re presenting a show, but we have no idea
what it’s going to be about! 

We had so much fun with our Evening of Long-Form Improvisation in April, that we’re doing it again.  In addition to theatre games and short-form improvisation, we will create a one-act play, made up completely on the spot.  Please join us for a fascinating and fun afternoon of spontaneity and creativity.

  • Admission to An Afternoon of Long-Form Improvisation is “Pay-What-You-Will.”
  • Ticket purchase begins at the box office one hour before curtain. There are no advance reservations.
  • All proceeds will go towards The Rogue Theatre’s new air-conditioning system.

 

NEXT UP AT THE ROGUE

 

THE FOUR OF US
by Itamar Moses
 
TWO WEEKS ONLY!
June 16 – 27, 2010

The Four of Us traces the fraught relationship between a young playwright named David and a young novelist named Benjamin. They meet at Musicians’ Camp when they’re 17, spend a few months together in Prague in their early 20s, and end up pursuing divergent destinies back in New York. What appears to be a simple “buddy story” turns into an Escher-like exploration of the relative value of fame and friendship.

For more information about The Four of Us, click here.

To buy tickets to The Four of Us, click here.

 

The Rogue Theatre’s mission is to create the highest quality theatre possible;
challenging, stretching, and invigorating our community.

We emphasize

LANGUAGE by placing primary value on quality language and literature;
ENSEMBLE by developing performers who seek continuous improvement and creating an academy for training ourselves and emerging theatre artists;
CHALLENGING IDEAS by presenting plays which offer complex and provocative points of view
related to important social, political, and personal issues.

 

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