The Rogue Theatre
300 East University Boulevard, Tucson, AZ – 520-551-2053 – www.TheRogueTheatre.org
The Last Three Performances of Ibsen’s GHOSTS
“The best thing the Rogue has ever done!”
S.F., Audience Member
GHOSTS
by Henrik Ibsen
“Your performances were captivating and provocative.”
D.S., Audience Member
“I was amazed at how current the play still is.”
N.H., Audience Member
Only three performances left!
“Thanks for a wonderful production of Ghosts. As usual, the cast was terrific and the discussion insightful. The post-show discussions really add an extra dimension to the theater experience.”
S. & E. S., Audience Members
Dear Friends,
Our first foray into the world of Henrik Ibsen has been a milestone for the Rogue. We have gained a deep respect for this writer and his provocative social commentary. In the post-show discussions each night, we learn more about the play and how it strikes a clear chord in all of us. I sincerely hope that you will share a part of your holiday weekend with Ghosts at The Rogue.
David Morden, Director
Curtain times:
Friday & Saturday at 7:30 P.M., Sunday at 2:00 P.M.
Music of Chopin and Grieg performed by pianist Dawn Sellers
begins 15 minutes before curtain.
Discussion with the cast and director follows all performances
No performance Thursday, November 25, 2010
Tickets:
$25 Regular ticket price
Half-price Student Rush for remaining tickets 15 minutes before curtain
with valid student ID.
Reservations or ticket pre-purchase encouraged for all performances.
To reserve or buy tickets to Ghosts, go to www.TheRogueTheatre.org
Free parking is available in our lot off Herbert Avenue (the alley just east of the theatre). Click here for a map and directions to our theatre.
Production sponsors: Ann and Nils Hasselmo
For more information about Ghosts, go to www.TheRogueTheatre.org
The Rogue Theatre’s mission is to create the highest quality theatre possible;
challenging, stretching, and invigorating our community.
We emphasize
LANGUAGE by placing primary value on quality language and literature;
ENSEMBLE by developing performers who seek continuous improvement and creating an academy for training ourselves and emerging theatre artists;
CHALLENGING IDEAS by presenting plays which offer complex and provocative points of view
related to important social, political, and personal issues.
# # #
