Daily Archives: May 26, 2011

Randy Ford Author- Revised MARGO 1st Installment

MARGO
Margo had circled the day on her calendar. Though she circled it, she hadn’t made solid plans. All she knew was that she had to get away. She would be eighteen and had graduated from high school. At least she had given her parents notice, and that was more than could be said for her brother.

Conflict with her parents had turned her into a rebel, but she didn’t want to disappoint them. She wanted to make a clean break, but she didn’t want to upset them. She wanted her parents’ blessing, though she knew that she probably wouldn’t get it. Still, she tried.

After some deliberation, she adopted the following plan: a letter from a friend would arrive from Chicago. It would contain an invitation and an offer of a place to stay. And why Chicago? Chicago wasn’t that far away from Richmond. And why would her parents let her go? They knew they couldn’t hold onto her forever. Besides as an eighteen-year-old, she was considered an adult. By getting away, she thought she could avoid ruin in a small town and perhaps prosper in a big one.

That winter was unusually cold, but invigorating. Without the wind, the hardy people of Chicago wouldn’t have anything to complain about. Margo felt pushed along by the crowds and the monstrous clock of her new boss, as she came to and went from work in the dark. People hurried to unknown destinations while the clock ate up the time. Margo, thinking about her new freedom and losing herself, knew she had changed and was no longer the person she was in Indiana.

Margo escaped to a small brownstone apartment. The first night, without a bed, she slept on the hard wood floor. She survived and, in spite of her mother’s worst predictions, established herself in Chicago. She found her job in The Chicago Daily News and discovered what brazen idiots did for a living. Her first taste of reality came when she discovered that jobs were hard to find. Who could blame her for not wanting to work in a gas station (her father owned one)? She wouldn’t accept just any job.

Thank goodness her mother hadn’t been a prophet, but she never let on that she was impressed by Margo’s success. With a little persistence, the young woman found the perfect job for her, for a person who enjoyed people who wrote books, drew pictures, and played instruments, writers, painters, and musicians. A sucker for artists, she worked behind the counter at Book Mart, the one just off of Michigan Avenue, near the Art Institute. She could be seen there most afternoons, exchanging courtesies with customers, and during lulls nibbling on sandwiches and reading novels. She also had plenty of time to dream.

Only a few of her dreams would come true. She didn’t know it, but she just left her inspirational source, her hometown, and it had been the main reason for her flight. She started an epic poetic drama, a psychological study of a young woman based on herself. Her treatment of the people in it would embarrass her parents and other people she had known. She hoped to expose their foibles and retaliate for unnamed crimes.

For one reason or another, this project never really jelled. She struggled to find the right words, which led to her predilection for procrastination. She made the mistake of waiting for inspiration. To write such a drama she would’ve had to reach beyond her grievances, which she wasn’t prepared to do. In the absence of inspiration, she pretended to be writing and met with other writers with the same problem.
 
Motivated by the same desires, most of them would remain unknown. Some would say that they were aspiring for something out of their reach. Some of them were so self-occupied that they would never have been satisfied. Because of their temperament, even with critical acclaim, they may not have recognized success. Most of them were part of the radical avant-garde.
There really wasn’t a way to judge the Michigan Avenue crowd. By and large, until Margo arrived, their work had been dismissed, or only appreciated by a very select crowd. Let their art be what it was, it was certain that the Michigan Avenue crowd was in some ways the same as the Top Hat Gang. They were close and consistently close. But what they mainly lacked was direction. One Cezannes or a Hemmingway among them would’ve changed everything. The people who did come and saw the pictures and heard the poetry, even when they were disappointed, mostly exclaimed their appreciation.

At first Margo didn’t show her work to anyone, and an inner voice made snide remarks about her slim output. She was also well aware of her weaknesses. She unjustly feared that she’d never be ready. Little did she suspect that she’d one day be discovered, but she was eccentric enough to appreciate the latest art trends. Her approach, even then, was messianic. This led her to helping friends, who partially through her efforts succeeded.

For now, she had to be satisfied with living the life of a rather poor working woman. An enthusiast and an amateur, she experienced the usual ups and downs of a pretty woman turned loose for the first time. Helping someone else mightn’t have been a problem had her own writing caught fire. She never thought it was enough to be an inspiration to someone else. She kept saying, “Those who are naturally talented will generally make it in the end, and those who give up simply fail.”

It was possible to fall somewhere in between. Margo was a bit too apologetic, but she felt pleased that she almost always found herself in the center of a crowd. She was lucky to have an outlet.

Her first apartment, before she knew the city, was on Addison, one block west of Wrigley Field. This was not very far from the elevated L, her only transportation and, when running late only a short jog to the train. However, she most likely would choose to be late. When she had the time, she’d wander around without a destination. She enjoyed the glory of wasting time. To escape the common place was a goal of hers.

Dressing as a gypsy didn’t last long. It was something she embraced for several months at a time. By wearing something weird and strange like Druid stones, and dressing in green and scarlet as Hungarian Gypsies did, she thought that she could automatically become apart of one of the small cliques that frequented the bookstore. However, to find similarities between Margo and these friends took a stretch of the imagination. For example, when Jasper tried to seal their friendship with “apo miro dadeskro vast!” or “by my father’s hand,” she, after asking what it meant, visualized her daddy chasing her with a hickory stick. In fact, with coins and pieces of silk woven in the strands of her hair, she began to view such exhibitionism with disdain. To her cultivating a special jargon spoken ungrammatically seemed a sham. It seemed reasonable that she would reject conformity, even to the point of rejecting nonconformity. However, her rejection of Jasper didn’t stop her from keeping the bangles and the rings he gave her or from cultivating an appreciation for Sartre and Liszt.

Instead of a writer, she would’ve rather been a gypsy. Already enthralled with romance, she could hear the creaking carts and the dinging bells and imagine swarthy men making love to her, while the mistaken idea that gypsies were all drunkards and harlots made her extremely angry.

Randy Ford

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Jane Addams & Women’s International League for Peace and Freedom

JANE ADDAMS

Jane Addams was an outspoken woman with strong opinions. In 1915, this was uncommon, and unwelcome. When she spoke out against WWI, declaring all war to be a horrific waste of lives and money, she was called a socialist, a communist, even a traitor. Fifteen years later she was awarded the Nobel Peace Prize.

Hull House in Chicago, which was her major passion, provided services for indigent and iminigrant women and children. Jane Addams helped to start Hull House in 1889, along with her long-time companion, Ellen Starr. She was also very influential in women’s suffrage and labor unions, and helped established special courts for juveniles. The NAACP, the ACLU, and WILPF were all co-founded by Jane, as she was always seeking justice for the oppressed and the poor she saw all around her.

WILPF- TUCSON

The Women’s International League for Peace and Freedom brings together women and men from around the world to work for peace by non-violent means and to promote political racial and economic justice for all. WILPF is an international Non-Governmental Organization (NGO).

It has national sections covering all continents, an international secretariat based in Geneva, and a New York office focused on the work of the United Nations. Founded before the days of catchy, easily used acronyms, WILPF will be 100 years old in 2015.

A recent U.S. project was Corporations vs Democracy, wherein WILPF members studied sponsored forums, and engaged in other activities about how corporations abuse their powers to affect the lives of all of us for their own profits.

Another project was Save the Water, focusing on how water is being privatized, misused, and wasted all over the world, and working on some ways to create change for the better. Tucson WILPF is particularly interested in working on relationships between corporate power and a variety of social ills.

We are a large and lively branch; inquiries and new members are welcome.

http://www.wilpftucson.org

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Coalition of Arizonans To Abolish The Death Penalty- FILMS ON THE DEATH PENALTY

FILMS ON THE DEATH PENALTY

Most of these films can be obtained from your local video store or ordered directly from the production company. The PADP also has a number of vedeos that re available on loan: contact Jessie Cohn at 202-544-0200, ext. 244 for details

AFTER INNOCENCE- This documentary tells the true life, compelling stories of exonerated prisoners. It examines the trials and tribulations waiting for them upon their release from prison. It also examines the U.S. justice system and the flaws that led to the wrongful conviction of these men. 2005. Check http://www.afterinnocence.com for screnings in your area. This film is available through Blockbuster or Netflix.

THE CLOSURE MYTH- This film traces one woman’s dramatic transformation from being consumed by desire to seek the death penalty as revenge for her daughter’s murderer to her realization that only in forgiveness would she find closure. 2007. 43 minutes.

DEAD MAN WALKING- This acclaimed film traces the relationship between a death row inmate and the nun to who he turns for spiritual guidance in the days leading up to his scheduled execution. 1995. 122 min. This film is available through Blockbuster or Netflix.

DEADLINE- This documentary explores two of the most significant, yet unexamined, events in the history of American capital punishment- the abolition of the death penalty in 1972 and the momentous debate in Illinois in 2002 over clemency for all of the state’s death row inmates. The film reveals the inner workings of these events and leads to profound questions about America’s approach to crime and punishment. To purchase the DVD or to set up a screening, log onto http://www.deadlinethemovie.com. You can also download a discussion guide from the website. 2004. 90 min. This film is available through Blockbuster or Netflix.

THE EMPTY CHAIR- Four stories of murder victim’s families reliving the crimes and confronting the loss of loved ones. Reactions range from revenge and desire for punishment to searching for forgiveness and healing. With commentary by Sister Helen Prejean. 2003. 52 min. http://www.justiceproductions.org

THE EXECUTION OF WANDA JEAN- An unflinching investigation of the role that poverty, mental health, race, and sexuality play within the criminal justice system. Wanda Jean Allen was an attractive young woman with what many considered to be an appealing personality. She was also an African-American lesbian whose low IQ indicated borderline retardation. By the age of 29, Wanda Jean had killed twice- and would become one of the most controversial death-row inmates in recent history. 2004. 90 minutes. http://www.hbo.com/docs/programs/wanda/. This film is available through Blockbuster or Netflix.

THE EXONERATED- Susan Sarandon and Danny Glover star in this film based upon the stage play of the same name. Actual court depositions, transcripts, letters, and interviews comprise the chilling and moving script that chronicles the stories of six wrongly convicted death row inmates. 2005. 90 minutes. This film can be purchased directly from AIUSA at http://www.amnestyusa.org/abolish. This film is available through Blockbuster or Netflix.

THE GREEN MILE- Set on Death Row in a Southern prison in 1935, this is the story of the cellblock’s head guard, who develops a poignant, unusual relationship with one inmate who possesses a magical gift that is both mysterious and miraculous. 1999. 188 min. This film is available through Blockbuster or Netflix.

INTERVIEW WITH AN EXECUTIONER- This documentary goes behind the scenes in a Mississippi Penitentiary during the 14 days leading up to the execution of Edward Earl Johnson, Don Cabana, the executioner, recounts the chilling experience of the execution of Johnson, who maintained his innocence until the end with his final words- “I want you to know exactly what you are doing when you execute me. I want you to remember every last detail, ’cause I am innocent.’” Copies of the video may be obtained from Terry McCaffrey. 11154 La Paloma Dr., Cupertino, CA 95014. Cost is $12 including postage.

THE LIFE OF DAVID GALE- A respected death penalty opponent, finds himself on death row for the rape and murder of fellow activist Constance Hallaway. With only three days before his scheduled execution, Gale, in an effort to reveal the thruth, agrees to give reporter Bitsey Bloom an exclusive interview that ends with a terrible discovery. 2003. 131 min. This film is available through Blockbuster or Netflix.

MONSTER- Actress Charize Theron stars as serial killer Aileen Wuomos, who was executed in Florida on October 9, 2002. Director Patty Jenkins chonicles the love story between Wuomos and Selby Wall, played by Christina Ricci, and the transformation Wuornos undergoes from being a prostitute and victim of abuse, to contemplating suicide, to becoming a cold-blooded murderer. 2003. 109 min. This film is available through Blockbuster or Netflix.

NOT IN OUR NAME: DEAD MAN WALKING- THE CONCERT- This special edition DVD/CD includes never-before-seen footage from the award-winning concert featuring artists such as Eddie Vedder and Steve Earle. Included is the soundtrack CD for the DEAD MAN WALKING film. (see above). 2006. Available from http://activemusic.org/. This film is available through Blockbuster and Netflix.

RACE TO EXECUTION- By Rachel Lyon, this film follows the stories of two death row inmates and exposes how race infects America’s death penalty system. Much more information at http://www.pbs.org/independentlens/racetoexecution/. 2006.

THE RELIGIOUS COMMUNITY SPEAKS AGAINST THE DEATH PENALTY- Produced by the American Friends Service Committee’s Religious Organizing Against the Death Penalty Project, this video include Dennis Brutus, South African poet and activist; Rev. Bernice King, Rev. Martin Luther
Kking Jr.’s daughter and author of HARD QUESTIONS, HEART ANSWERS; Sister Helen Prejean, CSJ, author of DEAD MAN WALKING; Millard Fuller, Founder and President, Habitat for Humanity International; Rev. Kobutsu Malone, Zen Buddhist Priest; Marshall Dayan, Jewish activist against the death penalty; and Marietta Jeagar-Lan, with Murder Victims’ Families for Reconcilation. 2002. 31 min.

THE THIN BLUE LINE- Through the use of reenactments of crime, photo montages, film clips, and interviews, this is a reconstruction and investigation of the 1976 murder of a Dallas policeman and the subsequent arrest and sentencing to death of a man who claims to be innocent. 1988. 101 min. This film is available through Blockbuster or Netflix

COALITION OF ARIZONANS TO ABOLISH THE DEATH PENALTY

http://www.azabolitionist.org

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Abingdon Theatre Company- Presents The Sunday Series & Laurence Luckinbill in CLARENCE DARROW TONIGHT!

Abingdon Theatre Company Presents The Sunday Series

Ongoing Throughout the Summer

The Sunday Series Heats Up In The Month of June!

Abingdon Theatre Company’s signature Sunday event continues after the doors close for the 18th Season. These shows will continue to show Abingdon Theatre Company’s efforts toward exposing new artists and providing New York audiences with an eclectic mix of song, dance and performance art.

June 5, 7:30pm
OPERA FEOCE: AMOR & PSYCHE
Amor & Psyche tells the Roman myth of Cupid, god of love, his controlling and jealous mother, Venus, and his on again, off again, on again romance with the mortal princess Psyche. This fully-staged and costumed pasticcio* opera of music by thirteen Baroque composers is sung by three singers, playing seven roles, accompanied on period instruments: harpsichord, viola da gamba and violin.

*pasticcio: a dramatic musical work combining pieces written by multiple authors.

Abingdon Theatre Arts Complex
312 W. 36th Street, 1st fl.
(btwn 8/9 ave)
New York, City

http://www.abingdontheatre.org

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Laurence Luckinbill At Abingdon!

Laurence Luckinbill Presents CLARENCE DARROW TONIGHT!

June 19th at 7:00pm
Award-winning actor, Laurence Luckinbill, will read his one-person show, Clarence Darrow Tonight! in the June Havoc Theatre on June 19th at 7:00pm for ONE NIGHT ONLY! Tickets are only $25, including a wine reception following the reading. Proceeds go to benefit Abingdon’s mission, to develop and produce new plays by American playwrights.

For tickets please call us at (212) 868-2055.

Abingdon Theatre Arts Complex
312 W. 36th Street, 1st fl.
(btwn 8/9 ave) New York City

http://www.abingdontheatre.org

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