Monthly Archives: February 2012

Randy Ford Author- Revised INFLATION, DEFLATION, WAR! 36th Installment

Frederick and Pauline carried on in front Herr Lippert. He’d had grown used to it and said nothing. Trying to be provocative, Frederick said, “Our friend here can’t imagine that I haven’t seduced you. It’s so typical. He doesn’t think that we can be just friends.” She responded with a smile, but she may not have heard what was said because her mind was off somewhere else. She didn’t think that she was attractive; at least not as attractive as the men thought, while at the same time she knew that they were attracted to her. She caught Herr Lippert’s gaze and held it. She knew that he thought she was irresistible.

Their food came. They ate leisurely and enjoyed it. They topped it off with a tart.

Frederick said to Herr Lippert, “Eat your heart out.” He knew what his friend was thinking and added, “Now don’t try to deny it. You’re jealous. But I assure you that Pauline and me are simply friends.”

Pauline said in response, “Listen to you two bicker. I like you both so don’t fight. Of course, I’m flattered, and if either one of you had been around during the war, you could’ve gotten whatever you wanted from me. And within a week or two you would’ve been gone and I would’ve forgotten everything. But I’m thankful that you didn’t know me then and that we’re still friends now. Too often it was my fault and there were less fortunate souls in the world. I didn’t know if I still had a husband. I hadn’t yet learned what to do with my time, and I made a mistake…a big mistake. I don’t particularly want to go into it now but… My husband hadn’t come back, and I made a mistake. It was as simple as that. Who am I kidding? And he’s not here now for me to beg for his forgiveness. Not here for me to stroke his hair and say I’m sorry. You thought I was respectable. Yes, yes, respectable. I’ve known my share of bastards, and in the end, those relationships proved as insubstantial and pointless as a game of spades.

Herr Lippert cleared his throat. In a way it was a victory for him. Pauline, turning away from Frederick, and looking away from Herr Lippert, sat very still. All three of them sat without moving for what seemed like a very long time, but it was only a moment or two.

Herr Lippert said, “I don’t believe any of this. Concerning the woman question…”

“What!”

“Freud says…”

“Freud says what?”

“I come from the old school, I guess. Not many people think the way I think these days. But there are reasons why women are built the way they are.”

“Perhaps you’re old fashion enough to think that women are inferior?”

“No, no, no. “

“I think we’ve played our part, but do we have to go through this again? I don’t feel guilty. You don’t know how many times that I’ve approached men on my knees. In terms of Herr Freud’s free association, hypothetically speaking, a woman is left with dreams of what might’ve been while she tries to hide her sin beneath her petticoats.”

“But petticoats are…”

“Exactly. That was my dilemma. I don’t think either of you understand. When we quite rightly thought of ourselves as the center of the world, we were suppose to be sexless and knew, like Herr Lippert says, what we were built for. He thinks we’ve forgotten that we were put on earth to bear and raise children. And he’d like to think that we don’t have any brains. So here we are. I don’t have a petticoat to my name. And I think I know what would happen if I didn’t have any brains. You are men, and you wish that I were an evil nymphomaniac. I hate to disappoint you, and, as I see you salivate, it confirms that you’ve been undressing me with your eyes. Both of you have been…undressing me. Then it makes me your nude. Do you want me to lie down? It’s something to think about, isn’t it? You see I know where your minds are and that we live in dark corners. We’ve had fun, and who would deny us our fun, only let’s first make sure that we know what we’re doing. Do you want me to pose for you? I will; of course I will, if you want. I’ll be your nude. But what would it make me? A lady or a tramp? And I would like for you now, before you answer and before you decide, to agree to give up something too.

Randy Ford

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Writers Studio- The Kids Write program is awarded a $10,000 grant & Writing Classes

The Kids Write program is awarded a $10,000 grant

Writers Studio February 28, 2012

Helping writers reach their potential for more than 20 years

WE ARE PROUD TO ANNOUNCE THAT KIDS WRITE (KW) WAS JUST AWARDED A $10,000 GRANT from The Casement Fund, to teach writing to high school students in Brooklyn. Our non-profit branch, The Writers Studio KW provides after-school workshops and an intensive summer writing camp free of charge in Bedford-Stuyvesant at the Beacon Center inside Middle School 35. The purpose of these workshops is to help high school students discover their personal voices through writing and reading contemporary fiction and poetry.

CONGRATULATIONS TO KW WRITER SHYANNE BENNETT, who has received a Scholastic Art and Writing Awards for two poems and a fiction piece. Shyanne writes: “I really want to thank Kids Write for helping me become a better writer. Today, without even realizing it at first, I began thinking of how I could simulate Jane Austen’s precise language and keen observation of human character in my own writing. It made me realize I had no longer been taking in the novel as just a good reader but I was also taking it in as a good writer. Personally, it was a pivotal moment because this was exactly what KW taught me all this time. The impact was tremendous.”

TUTORIALS AVAILABLE FOR HIGH SCHOOL STUDENTS AND ADULTS. For more information, contact lisabadner@writerstudio.com.

CONGRATULATIONS TO IROMIE WEERAMANTRY, whose story “Sujitha Underground” will be published in the 2012 issue (to be released in April) of The Alembic, the Literary Journal of Providence College, Rhode Island. Iromie started the story in the Master Class. Read more success stories.

SAVE THE DATE: Our next Writers Studio Reading is FRIDAY, MARCH 16 at 7 PM, featuring faculty members and Master Class writers Lisa Badner, Lesley Dormen, Lisa Bellamy, Yetsuh Frank and Cynthia Weiner. We will also celebrate the publication of Lisa Bellamy’s chapbook, Nectar, published by Encircle/The Aurorean. See you at Greenwich House Music School, located at 46 Barrow St. (between 7th Ave. andBedford St.), NYC. $5 suggested donation.

SCHEDULE OF CLASSES REGISTER NOW FOR SPRING CLASSES
Learn more about our method.View a complete schedule of classes.
NEW YORK CITY 10-WEEK WORKSHOPS IN FICTION AND POETRY:
NYC Level I, taught by Rebecca Gee begins Wednesday, March 14

TUCSON 10-WEEK WORKSHOPS IN FICTION AND POETRY:
The Tucson Workshop [1], taught by Carli Brosseau, begins Thursday, March 29

SAN FRANCISCO WORKSHOPS IN FICTION AND POETRY:
The San Francisco Workshop [1] (Financial district), taught by Lorraine Babb, begins Tuesday, March 27

AMSTERDAM WORKSHOPS IN FICTION AND POETRY:
The Amsterdam Workshop [1] taught by Sarah Carriger, begins in March

PARIS WORKSHOP IN FICTION AND POETRY:
The Paris Workshop, taught by Shirley Velasquez, begins in March.

THE BEST WAY TO HONE YOUR SKILLS AS A WRITER IS TO TAKE OUR CRAFT CLASS. In this popular 9-week program, you learn to recognize the techniques writers use to achieve their literary goals and how to apply these techniques to your own writing. This session, we are reading works by Dean Young, Pam Houston, Sam Shepard, Wislawa Szymborska, among others. Register now, and you may attend these historic classes, or listen to the podcasts. Current reading list Read more Register Now.

VIEW A COMPLETE SCHEDULE OF CLASSES AND REGISTER
http://www.writerstudio.com / 212-255-7075 / TWITTER / FACEBOOK / YOUTUBE

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Odyssey Storytelling- Presents (NEITHER) HERE NOR THERE: STORIES FROM LIFE ON THE BORDERLANDS March 1, 2012

Odyssey Storytelling Presents(NEITHER) HERE NOR THERE:
STORIES FROM LIFE ON THE BORDERLANDS

University of Arizona Art Museum, 1031 N. Olive Rd, FREE

Thursday, March 1, 2012 starting at 5:30
reception with refreshments at 5:30, show at 6 p.m.

What a line up! Retired educator, Clark Atkinson-Gastelum; German professor, Dr. Albrecht Classen; documentary filmmaker, Austin Counts; sound artist, Glenn Weyant; classics professor, Bella Vivante; ceramic art professor, Aurore Chabot; Tohono O’odham native, Christine Myers; and artist Paco Velez.

A light meal will be served. Stick around after the show for the “talk back” with the storytellers, an opportunity to ask questions and make comments. Parking is free on the street after 5 p.m. and in the Zone 1 lot on Helen east of Park (and then take the pedestrian underpass to the museum)

This storytelling is one of many events, symposia and exhibits featured in connection with The Border Project: Soundscapes, Landscapes and Lifescapes, which continues through Sunday, March 11, at the UA Museum of Art. Visit http://www.artmuseum.arizona.edu for details of all the related activities. The Border Project is an official event of the Arizona Centennial Celebration. Thanks to the Arizona State Credit Union for underwriting this event.

Want to learn how to tell better stories? Then sign up for this workshop with Penelope Starr, founder of Odyssey Storytelling:
The Art & Craft of Telling Personal Stories

Tuesdays, April 3-May 8 6:30-10 p.m.(+ 1 private lesson)

Casa Libre en la Solana, 228 N. 4th Avenue

Cost: $200 for 20 hours of instruction

In this 6-week workshop students will discover a framework for selecting, perfecting and performing personal stories through a combination of instruction and interactive, playful activities. Students will uncover their private reserve of stories, learn to organize a story for telling, share feedback with the other storytellers, and become more comfortable presenting to an audience. More info here.

Limited to 12 students. Sign up now!

FOR MORE INFO
Penelope Starr, producer, penelope@odysseystorytelling.com, Adam Hostetter, associate producer, adam@odysseystorytelling.com
Sarah K. Smith, associate producer, sarah@odysseystorytelling.com
Website: http://www.odysseystorytelling.com ~ Facebook: http://www.Facebook.com/Odysseystorytelling ~ Blog: http://www.tucsoncitizen.com/stories
Join our email list – send an email to penelope@odysseystorytelling.com with subscribe in the subject line.

Odyssey Storytelling creating connections ~ one story at a time

Odyssey Storytelling is a program of StoryArts Group, Inc. a 501(c)(3) non-profit arts organization. Learn more about us at http://www.storyartsgroup.org

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AtticRep | Trinity University- FORUM THEATRE PROJECT: ON BREAST CANCER MARCH 8th & 9th, 2012 at 8 p.m

FORUM THEATRE PROJECT: ON BREAST CANCER @ AtticREP

FREE ADMISSION
SEATING IS LIMITED
MARCH 8th & 9th, 2012 at 8 p.m.
THURSDAY AND FRIDAY ONLY

The FORUM THEATRE PROJECT: ON BREAST CANCER will be presented in the Attic Theater of the Ruth Taylor Theater Building on the upper campus of Trinity University. One Trinity Place (Stadium Drive entrance)

San Antonio, TX 78212

information and reservations atticrep.org
or call:210-999-8524

AtticRep FORUM is a public meeting place, on stage and on the web, for open discussion where our community and artists converge and join the conversation around social, intellectual, and artistic issues.

Actor Renee Garvens has spent the last several years interviewing San Antonians affected by the ravages of breast cancer. These first-hand accounts of living, dying, surviving and coping with the disease come together to form an intimate portrait and a very personal platform for dialogue. This work in progress interweaves the stories of the people she has interviewed with her own journey with the disease.

Developed in the style of Augusto Boal’s community-based theatre philosophies, this year’s Forum is the next step in the evolution of AtticRep’s Forum Theatre Project.

Open dialogues will follow each presentation and dontations are encouraged for WINGS, a non-profit breast cancer treatment organization

AtticRep | Trinity University | c/o Department of Speech and Drama | One Trinity Place | San Antonio | TX | 78209

roberto@atticrep.org

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Randy Ford Author- POSTE RESTANTE Manila 38th Installment

With a barrage of bullets, they one by one fell. They were shot at night in batches of twelve. The trainees were led out of their Corregidor barracks and taken to nearby Kindley airstrip where Arula remembered hearing a series of shots and seeing several of his Moro buddies fall. He heard them cry for their mothers and scream Allah’s name before they died. Shot in the left leg Arula ran for his life and barely escaped by falling off the edge of a cliff into the sea. Somehow he survived. Somehow he swam and fought the currents for four hours. Somehow he found driftwood to hang onto. Several times he almost gave up. Several times he almost drowned. Dozing in and out of consciousness, he doesn’t know how he hung on. He doesn’t remember being pulled out of the water. By that time the fishermen said he was virtually dead. Luckily we’re talking about the tropics.

But Jose Mariano wouldn’t have reacted the way he did if it weren’t for his childhood experiences. From an early age he viewed the world through that window.

Throughout Central Luzon there was a rebellion that started right after the war. In barrio after barrio (whenever repression let up enough for them to feel sufficiently free) peasants joined the HUKS…”to fight for justice and the rights of the masses.” Jose experienced the indignation first hand and saw how the Americans foiled the movement (something we tried to replicate in Vietnam). But before we did the movement flourished and definitely dominated politics. There came a point when they couldn’t be ignored. And in the halls of the Philippine White House, while President Roxas talked about land reform, he worried about the HUKS overthrowing the government.

Jose Mariano always smiled when he thought about his father and, with all gravity when he thought about him being charged with bigamy. (Jose’s mother was his father’s second wife.) The Philippine Constabulary likewise harassed him because of his political connections with the communist. Consequently, Jose frequently heard his father lash out at the government and often heard him say “Kung walang corrupt walang mahirap”.

“This meant,” Jose explained, “my father thought it was high time that untouchables went to jail.”

Don’t you see the irony of this, since his father never served time for bigamy?

“So this was why you became a Maoist?”

“Yes and no. But it was why I was selected to go to China.”

“Because your father was charged with bigamy?”

“No. It was because of his connections, and he wanted me to go.”

He seemed proud when he recalled how his father was arrested several times, at one time arrested twice in one week and detained for almost a year (which contrasted with Jose’s own detention, short in comparison, and his subsequent murder). He remembered how his father always talked about his cellmates and the intolerable delays in the justice system, which took its time in deciding someone’s fate. (I’ve rejected the hypothesis that Jose’s father was a communist, even though he obviously had direct ties to them. The top commander of the guerrillas, Benjamin Cunanan, sometimes stayed in their home, and Jose listened to many conversations about the miseries of poor Filipinos.)

One day in the 50s Jose saw President Magsaysay himself. He said, as a boy he was impressed with Magsaysay. By then the HUKS had expanded their areas of control to include all of Central Luzon and large parts of Southern Luzon. How he (Magasaysay) managed to travel in Luzon outside of Manila at all shows how popular he was or how his policies were working. Jose said he mourned with the rest of the country when Magasaysay died in a plane crash in March of 1957. It was a sad day for all Filipinos, including the entire Mariano household. A Chinese soothsayer, when once visiting with Magasaysay, predicted that the president’s death would be as dramatic as his rise to power. “Meteoric!” Jose read all he could about Magasaysay and eventually realized that his death was as much a lost for the US as it was for the Philippines…which made him ask “whose side was the president really on.”

Jose studied history and read every book he could put his hands on. Clark Air Base was located not far from where he and his family lived. Planes flew over their farm; and one of Jose’s brothers worked on the base. At one point Jose dreamed of learning to fly. It seemed then that he’d completely lost his compass. He smiled when he talked to me about it.

Randy Ford

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Arizona Daily Star- MYSTRY & MAYHEM BOOK GIVEAWAY win over $230 in mysteries/thrillers

MYSTERY & MAYHEM BOOK GIVEAWAY

Visit Arizona Star Facebook page at http://www.facebook.com/arizonadailystar by Saturday, March 3, 2012 to win over $230 in mysteries/thrillers including TRADER OF SECRETS by Steve Martini, CHILD 44 by Tom Rob Smith, THE FACE THIEF by Eli Gottlieb and more. To enter, “LIKE” our page and then complete the entry form.

MYSTERY & MAYHEM BOOK GIVEAWAY BASKET

Steve Martini
TRADER OF SECRETS

Tom Rob Smith
CHILD 44

Josh Bazell
WILD THING

Peter Robinson
BEFORE THE POISON

John Burdett
VULTURE PEAK

Deborah Crombie
NO MARK UPON HER

Robert Harris
THE FEAR INDEX

Eli Gottieb
THE FACE THIEF

Wiley Cash
A LAND MORE KIND THAN HOME

Robert Ludlum
THE JASON COMMAND

Visit azstarnet.com/contests for complete rules.

No purchase necessary.

Arizona Daily Star

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Arizona Daily Star February 27, 2012- Writers Caravan Bringing “Banned” Books To Tucson

Writers caravan bringing “banned” books to Tucson

By Alexis Huchchea
Arizona Daily Star

A group of activists, writers, educators and students will travel from Houston to Tucson next month in support of TUSD’s Mexican American Studies program.

The group, dubbed the Librotraficante Caravan, will leave Houston March 12, 2012, making stops in San Antonio, El Paso and New Mexico before arriving in Tucson on March 16.

The supporers are planning to create networks of underground libraries along the way featuring books that were removed from Mexican American Studies classrooms last month when the courses were suspended.

The underground library in Tucson will be located at the John A. Valenzuela Youth Center in South Tucson, 1550 S. Sixth Ave.

The charge is being led by Tony Diaz, founder of Nuestra Palabra: Latino Writers Having Their Say- a group that works to promote Latino literature and literacy.

“Every great movement is sparked by outrage at a deep cultural offense,” Diaz said. When we heard that Tucson Unified School District administrators not only prohibited Mexican American Studies but then walked into classrooms and, in front of young Latino students during class time, removed and boxed up books by our most beloved authors- that was too much.”

The TUSD Governing Board voted to put an end to Mixican American Studies courses amid a threat of losing millions in state funding from the Arizona Department of Education.

After the vote, TUSD directed teachers to box up seven books associated with the suspened curriculum. Those books were then placed in storage.

TUSD reported only one incident in which books were removed in front of students, calling it a regretful situation.

The removal of the books prompted criticism that TUSD was essentially banning books. The district denies that claim, saying that some of the books have been place in school libraries for student use. However, there are only about four dozen of the books available for high school students to check out.

Events scheduled for March 16-17 include the distribution, throughout the city from a taco truck, of the books that were removed from classrooms; a workshop for teachers on how to use Latino literature in classroom; and a literary showcase and celebration.

To view the schedule of events, go to http://www.librotraficante.com

Contact reporter Alexis Hulcochea at ahulchchea@azstarnet.com

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