Daily Archives: April 12, 2012

Randy Ford Author- POSTE RESTANTE Manila 50th Installment

Deep within the dungeons unseen grates opened and water rushed in. The tide was high then. I looked up and then down fearing my fate. Was it really too late? Then in the depths of my confused mind I saw a faint ray of hope. If I could only climb up and find a pocket of air, maybe… I was weak, but I used the wall. I knew that some things were irreversible (such as death) or that even if the water stopped coming in the chances were slim that all of it would drain out. Thus the river and the Japs would win.

Manila was then in our hands (the Americans) except for the dungeons and the tunnels where I was held. A few snipers were still stubbornly firing from the ruins of the fort. Without knowing any of this, I hoped I hadn’t been forgotten. By then I was held prisoner more by my own fear than anything else, and I was certain that I’d be killed either by the Japs or inveterately by my liberators. The certainty of my death (though it was less certain than I thought) seemed in keeping with what I was sure the Japs wanted to do to me. (Later I learned that the few Japs that were left refused an offer to surrender made in their own language by a Japanese/American, but thankfully a few of them were taken prisoner anyway.) “This hell was a fabrication of the theirs,” I thought. I had explored the exterior and interior of it (this hell) and hadn’t found a way to escape. “The Japs who created it were killed, and I lived.” I noted the irony and said, “The Japs who created it were mad men.” I said it and meant it after I found out that more than 3,000 men, women, and children were burned to death after they were enticed into the fort with an offer of protection. It was impossible to justify the horror while I knew the palpable fear that they must’ve felt. I could go on. Others could fill in the blanks and verify the interminable, the atrocious, and the senseless. At first cautiously, later indifferently, and finally desperately, I crawled toward the grate hoping that I could open it. To the grate! To freedom or death! My dungeon was a structure that also served as a bomb shelter; its was solidly built of earth and stone and as solid as a vault. In the dungeon I crawled, knowing about the tide and the grate. It was dark and dank, as I felt my way to the end of the corridor and passed other cells or pits, incredibly open like mine was. I became a blinded centipede while large numbers were being murdered in other parts of the city. Other prisoners, who had clung to life for so long, died without making the effort I did. I wanted to live. But I don’t know how much of it was real. I know that for many years it got mixed up in my mind, and I’m no longer able to separate truth from fiction or sleep through the night. It has kept me from being strong or happy. It was so horrible that it contaminated my future and jeopardized everything. I don’t want to talk about the cries of tortured souls, the bleeding children and women hanging naked from bars of cells, the crimes committed by Lieut-Colonel Seichi Ohta.

I emerged after having tasted the ravages of war and more bitterly after having experienced the torture chamber known as Fort Santiago. I don’t remember the stages I went through, or the time I had to give up to regain my sanity. I only know that the affects never left me. Often I wake up with cold sweats, and I can think of nothing else. This nightmare, now so much a part of me, could’ve been avoided had I given up. My imprisonment in Fort Santiago was so horrible that I feel that I won’t be fazed by anything in future. Let’s hope that’s true.

III
Those who saw the devastation of Malate know how it has risen from the embers of war. When I walked along the Dakota estero, which usually flooded after a heavy rain, I was reminded that the area used to be a swamp. Of course, I had to rely on the accounts of others and what I have read to learn about how my neighborhood has been rebuilt many times after earthquakes, fires, floods, and wars. Malate’s people as a whole have always been God-fearing…a trait that helped them remain hopeful and courageous and rebuild after each catastrophe. At first, I thought it had something to do with a devout faith in their saint, Nuestra Senora de los Romedios of Our Lady of the Healing Powers; then I saw that there was more to it than that. You can never remove the human factor. It takes more than ceremony. Attesting to this fact was how hard people worked. Or the sacrifices people made. Take the pain mothers suffered for their sick children when they walked on their knees from the front of Malate church to the altar while reciting the rosary. Suddenly, expecting a miracle, they felt better and often their children got better. Regardless whether they experienced a miracle or not, so great was the relief which overwhelmed them (and so great was their worry) that I suppose they had every reason to believe that God cared. The swamp dried out, and streets were laid out, later avenues and boulevards appeared, Herran to the north, Taft to the east, Vito Cruz to the south and Roxas to the west.

Randy Ford

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Craig Suter Author- THE INVENTOR’S WAR 1933-1947 THE DURABLE IDEAS AND INNOVATIONS OF WORLD WAR TWO

THE INVENTOR’S WAR 1933-1947 THE DURABLE IDEAS AND INNOVATIONS OF WORLD WAR TWO

by Craig Suter

No one has ever looked at World War II like this.

World War II produced a large number of innovations so sophisticated that subsequent iterations hardly changed from the original. This includes products for the home, office, and health. Additionally, social changes from the war went on to become the framework of the present society.

TheinventorsWar.com

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Progressive Librarians Guild- What is a Progressive Librarian?

Progressive Librarians Guild: UA Chapter

http://plg-sirls.pdwiki.com

Librarianship is Political

Librarians and information professionals:

. can be gatekeepers or distributors of information

. determine which materials are preserved, collected, and weeded out; this shapes our collective memory

. decide how information is stored and organized

Libraries are important to activism.
They:

. are necessary for an educated population, and an educated population is the cornerstone of an effective democracy

. can promote or hinder equity of access

. reflect the collective memory

“While libraries may make claims against ‘promoting’ lifestyles, they hold full power over how to classify them.” (Kumbler, A (2002). Liberating information: Radical librarians shelve the status quo, Punk Planet (52). 86-90)

What is a Progressive Librarian?

A progressive librarian:

. is an infromation professional who defends and extends the idea of libraries for the people, by using library and information science (LIS) education and community ties to champion change for all

. has a stake in the community, being supportive of like-minded organizations and working with others to achieve a truely democratic society

. promotes open access while encouraging scholarship and research: the orginal purpose of copyright

“Members of PLG do not accept the sterile notion of the neutrality of librarianship, and we strongly oppose the commodification of information which turns to ‘information commons’ into privatized, commercialized zones. We will help to dissect the implications of these powerful trends, and fight their anti-democratic tendencies.”- (From PLG website)

About Progressive Librarians Guild: UA Chapter

One of only six national chapters of PLG

Members consist of School of Information Resources & Library Science (SIRLS) students, alumni, and community library workers

New organization: formed in spring 2008, officially recognized by the parent organization, the UA, and SIRLS

“PLG is a network of librarians and groups and institutions sharing a common commitment to radical librarianship, promoting solidarity and communicating vital information about activities and issues as they emerge.” (From PLG website)

We are interested in:

. providing services to the Tucson community (free workshops, cataloging/basic check-out system help for activist organizations, some reference assistance)

. organizing events to enrich and educate the LIS community and local community members

. collaborating with community groups to affect change in our surroundings

. taking action on important library issues, not allowing the status uo or “business as usual” to proliferate

Resources

Progressive Librarians Guild: http://libr.org/plg/

Radical Reference:

http://www.radicalreference.info

American Library Association’s Social Responsibilities Round Table (SRRT): http://libr.org/srrt/

PLG: UA Chapter’s del.icio.us page:
http:del.icio.us/PLG_SIRLS

Our Statement of Purpose

As the University of Arizona Chapter of Progressive Librarians Guild, we strive to uphold and promote social responsibility and diverse points of view through participation in the LIS field.

We believe that direct communication on progressive issues with LIS students and professionals, as well as the community, will provide opportunities for improving libraries for all.

Through cooperative discussion, projects, and direct action on myriad subjects and for multiple viewpoints, we aspire to attain the ideals of a true democratic society.

Contact Us
plg.ua.sirls@gmail.com

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The Rogue Theatre- Presents William Shakespeare’s THE WINTER’S TALE April 26-May 13, 2012

The Rogue Theatre Presents THE WINTER’S TALE

by William Shakespeare

April 26- May 13, 2012

The Rogue Theatre at The Historic Y
300 East University Boulevard, Tucson, Arizona

520-551-2053 http://www.TheRogueTheatre.org

A masterpiece of irrational sin and rapturous redemption

Thursday-Saturday 7:30 p.m. Sunday 2:00 p.m. Tickets $30
Thursday April 26 Preview $23
Thursdays May 3 & 10 Half-Price Nights
$15 Student Rush 15 minutes before curtain

Music preshow begins 15 minutes before curtain.

Discussion with the director and cast follows all performances

Directed by Cynthia Meier, Music Direction by Paul Amiel & Dawn Sellers

With Philip Bennett, James Cockrell, Patty Gallagher, Marissa Garcia, David Greenwood, Christopher Johnson, Avis Judd, Kathryn Kellner, Chris Koval, Julian Martinez, Joseph McGath, Steve McKee, David Dorden, Dylan Page, Lee Rayment, Dallas Thomas, Dan Thomson and Matt Walley

Production Sponsors: JoAn Forehand and Dan Gilmore

Patty Gallagher’s performance made possible by a generous gift from Karen Delay & Bill Sandel

Free Open Talk SHAKESPEARE’S THE WINTER’S TALE AND THE COMEDY OF FORGIVENESS with Dr. Peter Medine, Professor of English, University of Arizona
Wednesday, April 18, 2012, 5:00-6:00 P.M. at The Rogue Theatre

520-551-2053
http://www.TheRogueTheatre.org
Buy tickets online

“This is meaningful theater, to be sure.”- Chuck Graham, TucsonStage.com

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Kore Press- SAVE THE DATE: MAY 27, 2012- Sunday, May 27 – Kore’s Silent Auction & Garden Party

SAVE THE DATE: MAY 27, 2012- Sunday, May 27 – Kore’s Silent Auction & Garden Party

Memorial Day weekend is coming, which means it’s almost time to get back into the Franklin House garden with summer foods, live music, art, and friends at the annual Kore Press Silent Auction & Garden Party.

High oleander hedges will hug the rolling lawns of downtown’s historic Franklin House as you browse contemporary artwork in support of women’s words. Silent bidding on art, gift certificates, and services—-there is something for everyone. You won’t want to miss the opportunity to wiggle your toes in some cool grass. BYO picnic blanket!

An early thanks to Kristine Jensen and Gallery of Food for sponsoring and catering the party!

WHEN: Sunday, May 27, 2012 @ 6pm

WHERE: 402 N. Main Avenue Tucson, 85701

Get involved… as a contributing artist or volunteer!

The welcome table at the 2010 Art Auction & Garden Party

You can get involved with the 2012 Kore Silent Auction and Garden Party in many ways! If you are an artist and are interested in donating artwork for the benefit auction, contact Lisa Roden. If you are interested in volunteering, contact Tracy Crouthamel.

Register early!
$20 in advance, $25 at the door

Psst! This year a total of 200 tickets max will be available: buy in advance for yourself and friends or family (call 327-2127 or email us at kore@korepress.org). Price includes food, drink, and a bidding number. Kids under 12 free; and over 12 $5.

We look forward to bidding with you on the best art around, this year as every year!

The Garden Party Queen Bees
Tracy Crouthamel, Lisa Roden, & the rest of your friends at Kore Press

Kore Press | kore@korepress.org | tucson | AZ | 85733

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