Category Archives: Guest Blogger

The University of Arizona Poetry Center- Kenyon Review Managing Editor Tyler Meier Named New Executive Director

 
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Kenyon Review Managing Editor Tyler Meier Named New Executive Director
of the University of Arizona Poetry Center 

 
College of Humanities Dean Mary Wildner-Bassett has just named Tyler Meier as the new Executive Director of the University of Arizona Poetry Center. Meier brings years of experience as a poet, administrator and teacher to his new position at the Poetry Center, which he assumes on August 5.

Meier comes to the Poetry Center from The Kenyon Review in Ohio where he was the managing editor as well as the co-director of the Young Writers Summer Program. He received an MFA from the University of Washington, and his poetry and nonfiction have appeared in At Length, AGNI (online), Laurel Review, Bat City Review, jubilat, Washington Square, Thermos, Forklift, Ohio, and elsewhere.

“Now that the Poetry Center has settled into its landmark building, we are ready to embark on the next era of the Center, to expand our vibrant programs and build new audiences for poetry here and across the country. I know Tyler will bring energy and enthusiasm to the position,” said College of Humanities Dean Mary Wildner-Bassett.
 
“I’m thrilled to join the Poetry Center staff as Executive Director,” said Meier. “From the volunteers and donors and docents to the writers who visit in the Reading Series, from the incredibly dedicated staff to the larger community served by the collections and programs and events, I’ve been truly astounded by all of the people who participate in the daily life of the Center.  The place positively hums.  This must be what Ruth Stephan had in mind over fifty years ago when she had the original, beautiful idea for a Poetry Center.  It is an aspirational space that recognizes and celebrates a central role for poetry in our contemporary culture, and it amplifies our hopes for what the art form might do in the years to come.” 
 
Meier will replace Gail Browne who has served as the Executive Director of the Poetry Center since 2002. Browne is pursuing other arts administration opportunities in the greater Phoenix area.

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Authors Father Christopher Corbally and Dr. Margaret Boone Rappaport Will Give a Presentation at The Eighth International Conference on “The Inspiration of Astronomical Phenomena,” at the Hayden Planetarium, America Museum of Natural History, in July 2013.

Authors Father Christopher Corbally and Dr. Margaret Boone Rappaport Will Give a Presentation at The Eighth International Conference on “The Inspiration of Astronomical Phenomena,” at the Hayden Planetarium, America Museum of Natural History, in July 2013.
Tucson authors Dr. Christopher Corbally and Dr. Margaret Boone Rappaport have been invited to give an address at the Eighth International Conference on “The Inspiration of Astronomical Phenomena,” at the Hayden Planetarium, America Museum of Natural History in New York City, in July 2013.  (http://www.amnh.org/our-research/hayden-planetarium/insap-viii)  Their topic is: ”Visible Supernovae in A.D. 1054, 2054, and 3054: Inspiration for the Religious and Artistic of the Past and Future.”
They describe their paper this way:  “Three models of cognitive evolution guide our cross-cultural investigation of the documentation of a very bright star that shone suddenly above in the year 1054.  The supernova creating the Crab Nebula was recorded by Chinese, Japanese, Korean, Arab, and some Native American astronomers.  We will review the historical, archaeological, and artistic evidence of that stellar explosion and speculate as to how ancient scribes, scientists, and artists interpreted this unusual heavenly event and integrated it into their respective cultures.  The documentation of ‘Crab’ took more than symbolic thinking; it required a type of interpretation of natural events that characterizes hominid sentience and inspires all scientific, religious, and artistic thought.  We ask questions from C.S. Pierce’s (1931-1935) work on semiotics, and a derivative paradigm by Robinson and Southgate (2010) called ‘entering the semiotic matrix.’”
Dr. Corbally and Dr. Rappaport then apply a model of “Enhanced Working Memory” from psychologist and cognitive archaeologist Coolidge and Wynn (2011), to explore likely understandings of the Crab supernova.  With questions on the adaptive nature of art and religion from psychologists Fiddick and Barrett (2001;1999), they will speculate on how ancient cultures may have integrated observation of a strikingly bright new star into cultures already well endowed with symbols, myths, and ideologies.  They asked the obvious: What advantage did they gain from doing so?  They asked the not-so-obvious:  What was the “selective advantage,” in an evolutionary sense?
Finally, they will look to starry skies of the future and ask how city skies will appear.  How will religious and artistic practitioners interpret a supernova that suddenly appears and stays for two years, only to disappear?  “Futures research” suggests that society will be very different in the coming decades and centuries.  What will humans in the future see, how will they be inspired, and what documentation will they leave for archaeologists of the very distant future?
They will review color slides to visualize the different ways that the Crab supernova appeared to people living nearly a millennium ago.   They shall then project this understanding to the near and distant future, and imagine how city skies will appear to artists, writers, and scientists who might encounter their own bright supernova.
Bios of the Co-Authors:
Father Christopher J. Corbally is an astronomer with the Vatican Observatory Research Group, for which he has served as Vice Director, and liaison to its headquarters at Castel Gandolfo, Italy. He is an Adjunct Associate Astronomer at the Department of Astronomy, University of Arizona, and ministers to a wide variety of Catholics, including Native Americans, in Tucson, Arizona.  He earned his doctorate in Astronomy at the University of Toronto in 1983.  His dissertation was on, “Close Visual Binaries: MK Spectral Classification and Evolutionary Status.”
Dr. Margaret Boone Rappaport is a cultural anthropologist who works as a futurist and science fiction novelist in Tucson, Arizona.  As President, Policy Research Methods, Incorporated, Falls Church, Virginia, she was a contractor to federal and state agencies for over twenty years.  She lectured in Sociology and Anthropology at Georgetown and George Washington Universities.  She earned her doctorate at the Ohio State University in 1977.  Her dissertation was on the adjustment of Cuban refugee women and families.

 

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Mattie Lennon Irish Author- “Spakes from Wicklow”

“Spakes from Wicklow”
by Mattie Lennon

Look what we’ve done to the old mother tongue
It’s a crime the way we’ve misused it
It’s been totally disgobbled
Pulverised and gollywobbled,
We’ve strangled, mangled, fandangled
And abused it.

So the song says. But did we do it any damage? John Dryden said that a thing well said will be wit in all languages. In my part of Wicklow the transposition of vowels seemed to be almost as popular a pastime as locking referees in car boots. And did it do any damage? No..I’m not asking about depriving the GAA arbitrator of his liberty on a winter’s day in Rathnew, I’m referring to a bit of re-adjustment of the A, E, I, O and U’s.

In my part of the world the language of Synge survived into the final decades of the twentieth century and beyond. Only recently a neighbour with a somewhat defective ticker told me that he had been fitted with a “Peace-maker”. I know of a case where a lady with notions asked an apprentice carpenter to make a “Mate-Seaf”. Nowadays, incredulous gazes meet the disclosure that it used to take a lot of courage, in Kylebeg, to say tea instead of “tay”; and to refer to unpolluted H2O as anything other than “clane wather” meant you were getting above your station. You’d soon be reminded that it wasn’t long since you didn’t have an arse in your “brutches”.

The “hins” were fed off the “led” of a pot; when it was necessary to communicate with absent relatives the “pin an’ ink” were taken down; and that reviled member of the rodent species was called a “rot”. It would be said of the less-than-honest they’d “stale the milk oua yer tay”. A welcome visitor would be invited to “take a sate an’ give yerself a hate” and if you weren’t “plazed” by a frank comment, you were said to be “aisy effinded” – you were sure to be “med game of”. The single arch spanning a “strame” was a “brudge”; those who through hard work or a windfall would progress from thatch to a “toiled” or ” ganvalized” roof on their dwelling, and every County Council cottage had an outside “labatery”.

A “dacent little girl” was an unmarried female, of any age, who wouldn’t let a male in a mile of her. Whatever about the Catechism definition of Grace, in our part of the world it was “the juice o’ fat mate”. And if you were of an argumentative dispossession it would be said that you “would rise a row about the kay o’ the dure”. Songwriting was easier here than elsewhere because floor rhymed with sure and bowl rhymed with howl. A snob might have “a collar an’ tie on his nick an’ a watch on his wrust” but no male would go so far as to sport a “gould” ring. Nobody would admit to having “flays” themselves but would comment that a certain neighbour’s house was “walkin wud thim”.

You could expect a “could day whin the win’ was from the aist”. Ewes “yaned”, you ploughed “lay” and you “bilt the “kittle”- unless it “laked”. You “gothered” the sheep, “muxed” the pig-feeding and you could “bate” the living daylights out of someone “whin timpers ed be ruz”. But in such “is-there-no-one to-hould-me-coat” situations there was usually someone to make “pace”. The piece of binder twine used to restrict the movements of the canine was a “lade”. Beyond was “beyant” and an old neighbour of mine went so far as to do a bit of consonant-juggling resulting in “belant”.

The clothes were held on the line by “pigs” and a brave man – or maybe one who didn’t have the courage to run away – was described as a “hairo”. Looking back on it now I reckon that the hillbillies of the old black-and-white Westerns with their “varmint” and “critters” would have fitted in perfectly in the Lacken of my youth. And I’m sure they would have adapted very quickly to describing the economy-conscious as “mane” and making stirabout from “yalla male”.

If you are not from my neck of the woods perhaps like D.H. Lawrence you will marvel: “That such trivial people should muse and thunder in such a lovely language”. If, on the other hand, you were reared anywhere between Knockatillane and Shillealagh you will recognise “…..that dear language which I spake like thee”.

Mattie Lennon  mattielennon@gmail.com 

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Mattie Lennon Irish Poet- THE NOBBER HARE (Air: The Hills of Granemor)

THE NOBBER HARE

by  Mattie Lennon

(Air; The Hills of Granemore)

With my hounds I have hunted this island all o’er,

Together we culled rabbit, stag and wild boer.

But of all the great quarries there was none to compare

With that beast above Navan; the giant Nobber hare.

All the creatures in Ireland of legend and myth,

Were trailing behind him in height, length and width.

The great Irish Elk would look up in despair

If confronted in combat by the giant Nobber hare.

Cucullen, in Ulster, his camán he did wield.

The goal was in Derry and Athlone centre-field.

The game he abandoned on the plains of Kildare,

When his sliother was eaten by the giant Nobber hare.

Sean Boylan a potion made up for his team

And the next day in Croker they played like a dream.

But the referee favoured the Dubs (‘twas unfair)

Until he was threatened with the giant Nobber hare.

Then a Northside sharp-shooter came into the frame;

From a forty mile distance he took careful aim.

And now, if you’re out after dark, just beware

For the ghost is abroad of the giant Nobber hare.

© Mattie Lennon 2007

Mattie Lennon-  mattielennon@gmail.com

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Western Writers of America- Vegas Convention Dates: June 25-29, 2013 Riviera Hotel & Casino Las Vegas, Navada

WESTERN WRITERS OF AMERICA

Western literature is of the spirit, our spirit, the spirit of America

Membership is open to published writers, whose subject matter deals with the American West

Literature of the West for the World

That describes the collective product of WESTERN WRITERS OF AMERICAN members.

Founded in 1953 to promote the literature of the American West and bestow Spur Awards for distinguished writing in the Western field, WWA today has more than 699 members worldwide.

Members include:

Screen Writers  Kirk Ellis (JOHN ADAMS) and Miles Swarthout (THE SHOOTIST)

Best-selling novelists   C.J. Box (FORCE OF NATURE), Bill Gulick (BEND OF THE SNAKE), Lucia St. Clair Robson (RIDE THE WIND)

Historians  Robert J. Conley (THE CHEROKEE NATION: A HISTORY), Paul Andrew Hutton (THE CUSTER READER), Candy Moulton (CHIEF JOSEPH: GUARDIAN OF THE PEOPLE)

http://www.westernwriters.org

JOIN US

Western Writers of America

271 CR 219

Encampment, Wy 82325

Vegas convention dates:

JUNE 25-29, 2013

Las Vegas, Nevada

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The University of Arizona Poetry Center- Creative Writing MFA Graduate Readings & Hattie Lockett and UA Student Contest Broadside Exhibition

 

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This Week at the Poetry Center

Creative Writing MFA Graduate Readings
Wednesday, May 1 and Thursday, May 2
7:00 p.m.

Students graduating from the University of Arizona Creative Writing MFA program will read from their work. The Poetry Center will also recognize the winners of our UA student poetry contests and distribute broadsides of the prize-winning poems. The readings take place over two evenings (May 1 and 2).
Details | Events Calendar

Hattie Lockett and UA Student Contest Broadside Exhibition
May 1 through June 1, 2013
Poetry Center Library

Come view a broadside exhibition of 2012-2013 contest-winning work by University of Arizona students, presented in collaboration with the UA Book Art Collective.


Summer Classes & Workshops

Feeling surreal? Interested in letterpress printing? Want to get in touch with your inner gods and demons? This summer, the Poetry Center is offering three courses: Surrealist Writing with Matt Rotando (May 20-26),Poetry in Letterpress Print with Alice Vinson (June 22-23) and Writing Your Gods and Demons with Christopher Nelson (July 8-18). Online registration is now open and these courses are expected to fill quickly. Reserve your spot now!


 

Gail Browne

Gail Browne Receives Humanities Council Award

Last evening, the Arizona Humanities Council honored UA Poetry Center Executive Director Gail Browne with the Juliana Yoder Friend of the Humanities Award. This award serves as a tribute to Browne, who will be leaving her position in June 2013 and relocating to Phoenix. The Yoder Award commemorates her life’s work of making poetry and the humanities accessible in all corners of Arizona and beyond.

Copyright © 2013 The University of Arizona Poetry Center
All rights reserved.
Our mailing address is:

The University of Arizona Poetry Center

1508 E. Helen St.

Tucson, AZ 85721

Add us to your address book

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Smith Publicity- BookBaby Mega Book Launch Sweepstakes & New Fiction Book Publicity Services & BookExpo America

SMITH PUBLICITY

Power Book Publicity Tips

May 2013

 

  • BookBaby Mega Book Launch Sweepstakes
  • Promoting Your Book on Goodreads, By Lauren Covello, Smith Publicity Book Publicist
  • Smith Publicity Announces New Fiction Book Publicity Services
  • Display Your Book at BookExpo America with Combined Book Exhibit, Deadline April 29th

Authors are invited to enter BookBaby’s Mega Book Launch Sweepstakes worth $16,000 in book service prizes. Click here to enter. US residents only. Deadline April 30th!

Sincerely,

Corinne Liccketto

Smith Publicity, Inc.   

o: 856.489.8654 ext 309

Display Your Book at the 2013 Book Expo America!

 

Showcase your book at Book Expo America(May 30th through June 1st). BEA’s attendance regularly tops over 26,000!
The New Title Showcase remains the premier destination for buyers, librarians, media, publishers and others to find new and exciting books at Book Expo America. BEA is dedicated to helping authors and publishers create buzz for their new books and the New Title Showcase just might be the best way to do that.
If you would like to include your book(s) in the 2013 show, the $250 (print book display) $290 (combination print and ebook display) includes display of your book and listing in the New Title Showcase’s exclusive catalog. Books are displayed on individual shelving, book cover face out in an attractive booth setting.
To register, send an email tocbe@smithpublicity.com or call (856) 489-8654 x306. Registration deadline: April 29, 2013.

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Smith Publicity Announces New Fiction Services

 

As the way readers are discovering new books is constantly changing, we’ve revamped our book publicity options for fiction projects.

The core of the service is still media outreach to print, broadcast, online and book bloggers, plus uploading books to NetGalley, a community of more than 100,000 librarians, reviewers, bloggers, educators, but we have more emphasis on coaching clients with author-led initiatives.

 

We will talk with clients on how to take on these initiatives including:

  • library outreach,
  • social media tips with specific information for Goodreads and Shelfari,
  • setting up local book signings,
  • website design tips for authors,
  • fiction book awards, and
  • Amazon author tools.

We are also offering consultation services to give authors indepth advice before undertaking publicity efforts. Plus, we can help you with galleys/advance reader copy outreach. We are excited to offer this new range of services in a variety of price points. We welcome to you contact us!

For more information, contact

Corinne Liccketto, Director of Sales,Corinne@SmithPublicity.com  

856-489-8654 x309

 

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